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has always challenged conventional musical architectures through his fretless bass approach. With Jones, the bass isn't necessarily underneath the guitar, inside the rhythm, or beneath the melody. It can move across all three, sometimes simultaneously. That quality made him a defining presence in jazz-rock luminaries Brand X. Jones explores the band's just-released 1977 archival recording Theory of Nothing, in addition to his work with PAKT, PKT, and MJ12.

bring a natural sense of possibility to their debut collaborative album The Roaring Waves.

is one of Japan's most respected bassists, improvisers, and musical visionaries, with countless sessions to his credit.
Donate to Innerviews
Since 1994, Innerviews has provided uncompromising, in-depth interviews with musicians across every genre imaginable. And it does that with no trackers, cookies, clickbait, or advertising.
Your donations are welcome to help continue its mission of highlighting incredible music and artists, without any commercial considerations.
Your contributions will be instantly transformed into stories and videos, and cover hosting and web management costs. Importantly, your dollars will help ensure Innerviews remains absolutely free to all visitors, independent of their ability to financially support it.
Please consider making a donation today by using the PayPal QR code below.
