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Art Bergmann
has long stood apart in Canadian music—too raw for the mainstream, too literate for easy categorization, and too principled to ever dilute his voice. Emerging from the punk underground, Bergmann became known for combining aggression with introspection, writing songs that felt as much like personal reckoning as cultural critique. Over the decades, he has built a body of work that is uncompromising, emotionally direct, and deeply reflective of the political and psychological tensions of his time. He discusses his recent incisive records, including ShadowWalk, Late Stage Empire Dementia, and The Apostate, that blur the line between confession and commentary, addressing mortality, alienation, and societal breakdown with stark, poetic intensity.
Richard Barbieri
explores the making of his latest album Hauntings and his work with Porcupine Tree, Japan, and Jansen Barbieri Karn.
David Van Tieghem
reflects on his influential work as a percussionist and composer across new music, performance art, and sound design.